
Or else I get a planeticket across the Atlantic.Good luck with the editing and postproduction.

The finding of Johnny Callaway's letter to Bettie is the catalyst that triggers my entire film. So I knew, going in, that this shoot was going to be challenging. How to retain the dramatic quality of the moment, within an otherwise mundane 'person working in their garage' everyday scene was the question. And that question was tossing and turning in my head while I was tossing and turning in my bed, unable to sleep that night.
Woke up with anxiety at the pit of my stomach. Somehow this feeling that I was missing the boat. I had filmed a couple shots of the girl finding the letter yesterday but I knew it was NOT IT. I had somehow wandered onto the wrong path.
Once again trusting my instinct, I knew I had to find the path and I had to find it FAST, cause we were going to film in a few hours... I prayed for inspiration... That I would "See the shots" I needed guidance. Unable to sleep, I decided to edit what we had so far... Assess where I was at. Turned out to be really helpful. I also found myself calling my mom in Nice , France, at 3AM in the morning. I needed to hear her soothing, loving voice. After all, I am alone here.
7AM - It is now time to get ready to go to work. I feel better but I'm sleepy and tired. I have decided to reshoot and to go with my gut feeling. New ideas are coming to me, as I drive to work... I am starting to SEE IT... Yeah.... That's it... That's how it should be filmed...
9AM - At work now, waiting for time to slowly trickle... Still feeling the pressure. What if I miss the boat? What if I fail? I used to be terrified thinking about Johnny's last race. The famous night race... For months I agonized over it... Not knowing how I was going to light it and thinking about how impossible it would be to shoot it... Then one day I found myself diving right in and all fear was gone. Hopefully today would be the same.
3:30PM - I pull in in front of Jerry's house.
"I've been doing a lot of thinking and I want to take a different approach to the finding of the letter."
The door rings, it's Michael. He is a fellow dvxuser forum member and has seen my add and answered it. We immediately like Michael. He seems very nice, helpful, pro but at the same time respectful of my artistic vision and he doesn't at all try to take my set over... We are a good match. I also find his camera moves to be very close to what I like so on that end of things we are also a good match... Michael loves cars and does a lot of filming for the Kelly Blue Book website. So he is excited about DEUCE OF SPADES...
Below: My crew today consists of two people: Michael (left) and Jerry (right).

4:00PM - We start rolling. Each shot is carefully planned and lit, and I rule out a master shot. This section of the scene is very up close and personal. So it is made mostly of close ups... Michael has to climb inside my trunk to film the trunk panel being unscrewed... He's going handheld on a super macro shot... And has the steady hand needed to pull it off! Hats down Michael!

We play with reflections in several shots and then we struggle to try to simulate the light beam of a flashlight to light the inside of the trunk, revealing the letter.Nothing we try seems to work
. Finally out of options I go: "Well, let's try my stingray flashlight... I doubt it can put out enough light for my camera set-up, but who knows? What do we have to lose, we've tried everything else LOL".
And wouldn't you know it? The flashlight looks great
DUH! I guess we had overlooked the most obvious and simple solution LOL: Using a flashlight to simulate a flashlight beam of light LOLOL... What a concept!

Now that the hotrod girl has the letter in her hand, we go to medium shots. We then film missing close ups on the letter itself, which will go with the crane shot we filmed yesterday...
Below: Battery acid and fifty years are causing the envelope to fall apart.

Below: Our hotrod girl doesn't know yet what she's in for, when she finds Johnny's letter.

Michael is nailing the shots quick so we finish that section of the scene around 10PM.
Wow, that went well.
The anxiety is now gone. I am smiling again... Relieved... Looks like I am on the right path again... Happiness, in the palm of my hand... One more day of shooting and we will be done. Hopefully...
